Sunday, February 21, 2021

Seventy-five years since Eric Liddell broke the final ribbon

Today marks the 75th anniversary of Eric Liddell's death. He was known more for his actions as an Olympic champion and missionary than for his prayers, but I'd like to share something I discovered about his death that shows how close his intercession brought him to the Lord. 

I think all the biographers share that his last words were about "complete surrender." I've been performing my one-man play about the second half of his life, Beyond the Chariots, since 2004, and in the course of telling his story I discovered something about his final moments on earth that's not included in any biographies I know about. 

Now, I recently mentioned his name while leading a workshop at the Content2020 Film Festival and Media Summit, and then it dawned on me that there may be several in the room who didn't know who he was. A show of hands proved my suspicions, so let me give you a bit of a biography:

He was a rugby and track celebrity of the 1920s, and his fame was renewed when his story was told in the film Chariots of Fire, which garnered four Academy Awards in 1981. 

Reporters throughout Great Britain were looking forward to Eric proving he was the fastest man alive in the 100m race at the 1924 Paris Olympics. But when Eric discovered that one of the heats was going to be held on a Sunday, he chose to honor the Lord that day and not himself. 

The press berated him and called him a traitor, but though they tried to cancel him, he shifted gears.

He trained for the 400m, and he later told his daughter Patricia that the choice forced him to discover he was really designed to run the 400m distance. In the final heat he took off like it was a sprint, and everyone thought he'd hit his wall. Instead, he picked up speed! His second 200m split was faster than his first! He beat the next runner, Horatio Fitch, by five meters, a distance that wouldn't be broken at the Olympics for three decades. Eric broke the world record, and then the press celebrated him again. 

Later, when he graduated from Edinburgh University, after reading Eric's name, the provost broke into the standing ovation to say, "Mr. Liddell, you've proven that none can pass you but your examiners." He had offers flooding in for playing rugby, coaching, and for speaking engagements. Once there were a thousand people outside one of the largest halls in Edinburgh trying to hear what he had to say. 

But he left that all behind to be a missionary to China, where he'd been born in the wake of the Boxer Rebellion. The Boxers attempted to push all Westerners out of China, focusing on the Christians. They killed 133 missionaries and 30,000 Chinese Christians. 

So Eric left fame and fortune behind to serve where people didn't want him to return! 

I sprinted around a track
Eric Liddell designed in Tianjin.
He served as a science teacher and track coach in Tientsin, which is now Tianjin, a bedroom community to Beijing.

Japan invaded China in 1937, and tensions escalated until Eric's wife, Flo took their daughters Patricia and Heather to Canada, where Flo's parents were born. Their third daughter, Maureen, told me she made the trip in a cab with the windows rolled up. She was born in Toronto in 1941. 

Eric stayed behind to serve the Chinese people. His daughters told me his choice not to join them always troubled them, but time would heal those wounds. 

I portrayed Eric in a contribution to the Getty's Global Hymn Sing, as the missionary might have been, missing his family after their departure (www.RichDrama.com/EricLiddellHymnSing).

On December 8, 1941, Eric woke up to discover that Pearl Harbor had been attacked and he was now considered an enemy of Japan. They came through Tientisin and put a patch of ownership on every person and item of any value, and shortly after that, Japanese soldiers crammed nearly 2,000 people from 26 enemy nations into a small Presbyterian missions compound in Weihsien, China.

I've heard what that internment camp was like from a few people who were there. I was once performing Beyond the Chariots in Hong Kong, and I had asked Jamey Hudson Taylor, the great grandson of the vanguard missionary to China, Hudson Taylor, to speak after my performance. He canceled, because he wasn't feeling well. He said his secretary didn't recognize his voice when he called in. When the time came, he was feeling up to attending the performance, so I wanted to acknowledge that he was there. Much to my surprise he came to the stage, and explained that he couldn't help but let us know that it would have been "Uncle Eric's" 105th birthday. He went on to tell the audience how Eric had been a father to many of the children in the camp. He taught them science and coached all sorts of sports. I first met Jamey after my performance at his church the year before. In the play, at the time, I referred to a baseball game. Jamey came up to me after the play and, before introducing himself to me, said, "It was softball. We didn't have enough room to play baseball." 

With Heather, Patricia and
their husbands Gerald
and Mervyn.
When Patricia, Heather and Maureen began corresponding with Jamey, his sister Mary Taylor Previte, and some of the others who had been children or teens in the internment camp, the sisters realized that the Lord used their father's separation from his family to bless other children, and it reframed their perception of him abandoning them. 

Eric was a bright spot in the internment camp, but one day he lost a race, and everyone took notice. He was having headaches, and they got worse and worse, until he was hospitalized. 

The Salvation Army band would play outside his window, and Heather still has a slip of paper on which her father wrote a request for his favorite hymn: "Be Still My Soul." When you hear that played in my play, it's actually by a family in the Salvation Army, recorded about 15 years ago. 

Portraying Eric's headaches.
The biographies, at least all of the many I've read, tell how Eric slipped into a coma on February 21, 1945, and that his last words were about "complete surrender," a description of how he'd lived his whole life. In the course of performing my play I've read every biography available, including one out of print at the Eric Liddell Centre, thanks to his niece, Dr. Peggy Judge. I've met dozens of people who remember him. Not one of them has ever had a negative thing to say about him. 

Not many know that the Olympic champion actually had a second wind and finished even more dramatically. He came out of that coma for a brief moment. I interviewed Mary Previte, and she told me her sister's boyfriend was in that hospital the night Eric resuscitated. I saw a medical form for Eric in a London museum which indicated that the brain tumor had taken away his strength in his right side and taken away much of his eyesight, but the young man said that Uncle Eric ran down the hall, collapsed into the arms of that young man, and as Uncle Eric tumbled to the ground he told how he was seeing seven angels coming down over the camp. Those were his last words.

About six months later, on August 17, 1945, seven paratroopers were dropped from a B-24 Liberator nicknamed "The Armored Angel." Mary told her recollections from her childhood of those heroes rescuing them. They were ecstatic! They burst the gate and met them before they could get to the camp. That Salvation Army band played a medley of all the Allied nations. Since they didn't know who their liberators might be, they practiced them all... playing the second and third parts only. Those playing the melody only fingered their instruments so their captors wouldn't know what they were playing! 

As an adult Mary hunted down all seven of the paratroopers to thank them. She called them their angels. I got to interview one of them, Tad Nagaki, who was in his 90s at the time. After the interview he climbed on his tractor and got back to work: angelic fortitude!

Beyond the Chariots
ends with Liddell whispering, "Complete surrender," but then it shows what few know happened after he slipped into that coma. You can watch my performance of it in Singapore (www.RichDrama.com/BtC). I didn't add his final sprint down the hallway until two years after that performance, when I brought it to London during the 2012 Olympics, but you will see him watch the angels descend.

After all the years I've run in Uncle Eric's shoes by portraying him in dozens of nations, I had never thought of him as an intercessor, but he certainly was! When he checked into the hospital, he gave his running shoes to a young man named Stephen Metcalf. Earlier, he was challenged by Uncle Eric when he pointed out that they should be praying for the Japanese. In his book Disciplines of the Christian Life, Eric pointed out that the Sermon on the Mount seems upside down when you first look at it, but after examining it, you realize that the world is upside down. He drew often from the right-side-up Sermon on the Mount, including that day when he quoted Matthew 5:44: "...Love your enemies and pray for those who persecute you..." To Stephen, praying for those who were depriving him of his freedom was an upside down concept, but he prayed anyway. He didn't notice a sudden change in the guards, but he did notice a change in his attitude toward them. 

Stephen Metcalf went on to be a missionary to Japan for about forty years. 

I encourage you to take a moment now to pray for our enemies, and pray for athletes and other celebrities to come into Salvation and articulate the Lord's truths to their fans. 
 
See the rest of Olympic champion Eric Liddell's Chariots of Fire story in Beyond the Chariots. Watch it online and book a live performance. 

Sunday, January 6, 2019

Have a Blessed Epiphany!

We hope your Christmas Season was a blessing to you and yours!

Registration is now open for the Rocky Mountain Christian Filmmakers and Actors Camp!

If you or someone you know is 16-29 and interested in training in filmmaking or acting for film, please let them know.

The main training is in video tutorials to be watched before arriving, so that as soon as students hit the ground, we'll be running into film production. They'll leave with a short film for their reels, headshots, and (if it's like every year so far) they'll have an opportunity to audition for a live professional project.

Also, many projects want cast to have taken a film etiquette course if they don't have a certain amount of film projects under their belt. That happens to be one of the film tutorials, so students will be able to check that box!

We opened registration up to alumni first, so two spots are already taken on both sides of the camera. Move swiftly to secure one (or more with friends!) of the other four spots for each program: www.ChristianFilmmakersCamp.com. The intimacy of the program means there's lots of opportunities to grow as an artist and as a Christian.

Also, there is an early bird savings of $100 through the end of January, so if you don't have time to register now, be sure to set an alarm.

Here's our Christmas and year-end eLetter:

In a time when darkness, strife, and division seem to reign--very much like the time Jesus was born--we pray Joy to the World!
Joy to the World; The Lord is come;
Let earth receive her King:
Let every heart prepare Him room,
And Heaven and nature sing.

Joy to the Earth, The Saviour reigns;
Let men their songs employ;
While fields and floods, Rocks, hills and plains
Repeat the sounding Joy.

No more let sins and sorrows grow,
Nor thorns infest the ground:
He comes to make His Blessings flow
Far as the curse is found.

He rules the World with Truth and Grace,
And makes the nations prove
The Glories of His Righteousness,
And Wonders of His Love.
As darkness increases, His Light shines brighter. "He comes to make his Blessings flow / Far as the Curse is found." We saw his blessings flow in large measure in 2018! I performed in 15 states and eight nations, and Joyce spoke in six of those nations. Here are a few of the highlights:

January Rich played Walter and served as acting coach, while Joyce was a key crew member, keeping actors warm between takes in "There," a short film that takes place during a rainstorm! Joyce also played the mother of my character's daughter during a sociodrama to help her get ready for an emotional phone call, so we're counting Moriah's character as our 22nd screen child! You can watch "There" now: www.RichDrama.com/There.

February A 20-year prayer was answered, and Rich got to perform at Christian Cultural Center.

March Annual workshop at Princeton University, where we visited Jonathan Edward's gravestone which inspired a post about revival.

April Performed Jonah for a gang unit on Rikers Island.

May Performed in It's a Life Worth Living and The King's Messengers on the same day! That was a first! Later that month I performed several roles for The Adventum, a wonderful audio drama of the Book of Genesis, which is now available.

June Taught, coached and performed at the Rocky Mountain Christian Filmmakers Camp, where we produced "Return on Investment."

A revival broke out in the theatre 
department on our last night of the 
Lamplighter Guild for CreativeDisciplines.
July Taught and directed at the Lamplighter Guild for Creative Disciplines.

August Performed in Denmark and Sweden on the same day! That was a first!

September Performed in Norway, Finland, Germany, Liechtenstein, Switzerland, and Iceland.
October Performed at the Hollywood Divine International Film Festival.

November Performed I Dreamed I Was Free in New Mexico, the 43rd state in which I've taught and/or performed. Another first!

December "Milk and Oranges" released, which was our film at the Rocky Mountain Christian Filmmakers Camp in 2017 and the directorial debut for Joyce. Joyce shared the Christmas Eve eve message at Westchester Chapel. Here's my prayer for the Mastermedia Christmas party, which is for us all... though we don't wish a broken boiler on anyone! Click the arrow below, or if you're getting this through an emailing, visit www.RichDrama.com/Christmas2018.

 


Registration is now open for the Rocky Mountain Christian Filmmakers Camp June 23-29.

Monday, November 5, 2018

Scandinavia and Beyond


During a performance of I Dreamed I Was Free in the Nordic Black Theatre
in Oslo, Norway. 
We had a BLAST in Europe! Thanks in large part to the prayers and financial support of people on this list, we were able to perform in every Scandinavian country and beyond, eight nations in all. We're still trying to catch up after that trip of a lifetime. You can see the reports so far at www.RichDrama.com/EuroTour2018. More to come.

This summer I got to perform in San Diego in a new audio drama that brings Scripture to life with a focus on God's plan of redemption. It's so well conceived and written! I was thrilled to be a part of it, and I was performing with some seriously great actors, directed well by John Fornof (Adventures in Odyssey). The sound design by Luke Guenot is extraordinary, too. It's just a fantastic project all the way around.

Visit www.RichDrama.com/TheAdventum to see the dozen roles I got to play and how to get your CDs or downloads.

While you're waiting, you can watch a short film Joyce and I were a part of, "There," written, directed and produced by William and Morgan Willer, two of my students at the Rocky Mountain Christian Filmmakers Camp. You can watch the film now, and find out about their next project at www.RichDrama.com/There.

A whole lot more has happened since my last report to this list, but you can catch up at www.Blog.RichDrama.com, www.Facebook.com/RichDrama and www.Instagram.com/RichSwingle.

We so appreciate your prayers and support!

Here's today's post on Instagram:

Saturday, June 16, 2018

Scandinavia

This outdoor performance
was steps away from what used to be
John Woolman's orchard.
My one-man play I Dreamed I Was Free  (formerly A Clear Leading) has been accepted for the fall lineup at the Nordic Black Theatre in Oslo, Norway!
The theatre focuses on stories about people of color, and I Dreamed I Was Free tells the true story of how John Woolman spoke out against slavery a full century before the Civil War in America. 

In addition to renting the theatre in Oslo, Rich is hoping to offer workshops which will help local Christian actors develop and perform their own dramas.

The Nordic Black Theatre is holding the date of September 1, and they've given us until the end of June to secure funding. 

Please pray about partnering in ministry to the most secular nation in Western Europe. It is estimated that 45% of Norwegians are atheists, as compared with 5% in the US. 
Funds will go toward 
*Theatre rental
*Travel, board and lodging for Rich and Joyce Swingle. Joyce will serve as stage manager and production manager.
*Travel, board and lodging beyond Oslo. 
Our goal is to perform in every Scandinavian country as opportunities unfold.  Visit www.RichDrama.com/Scandinavia to give.

We are not a non-profit organization, so donations are not tax deductible. 





I Dreamed I Was Free tells the story of Quaker abolitionist John Woolman, who spoke against slavery a century before our Civil War.

Friday, February 23, 2018

Eric Liddell Joins the Global Hymn Sing

Keith and Kristyn Getty have invited the world to a Global Hymn Sing this Sunday, February 25, 2018.


The hymn they've chosen is "Jesus Will Reign," which Eric Liddell led a crowd in singing just before boarding the train which started his trek to China. His Olympic gold and bronze medals, not to mention his world record in the 400m, opened up many prestigious offers in Europe and the U.S. But he left it all behind to serve the Chinese as a teacher, track coach, and missionary for the rest of his short life.

I've been portraying Liddell since 2004 in my one-man play Beyond the Chariots, and I planned to dramatize Liddell singing "Jesus Shall Reign" in a follow-up film to Chariots of Fire, but we were beat to the finish line.

I just found out about the Global Hymn Sing, so I thought the best way to dramatize the event, given the short time constraint, would be to portray him reflecting on that event at a point of his life that gives us a peek into the life he sacrificially chose.

You can download this video to play at your church at www.RichDrama.com/EricLiddellHymnSing this Sunday, or at any upcoming service. Permission has been granted from copyright holders on this arrangement.

Be sure to register for the hymn sing, so you and/or your church can be added to the map.

If your church doesn't participate in the Global Hymn Sing, join me Sunday, February 25, at 5pm Eastern, and I'll do a Facebook Live hymn sing. I'll say a bit more about my connection to the story, and then we'll all sing with an Olympic hero well before the closing ceremonies to the Pyeongchang Olympics begin in the Eastern Time Zone, and hopefully in time for you to get to an evening service. It will broadcast from www.Facebook.com/RichSwingle, but if we're not Facebook Friends, I'll post it at www.Facebook.com/RichDrama by 5:15pm Eastern.


See the rest of Olympic champion Eric Liddell's Chariots of Fire story in Beyond the Chariots. Watch it online and book a live performance.

Tuesday, February 6, 2018

Henry Box Brown answers a 20-year prayer request

A prayer of my heart twenty years ago is about to be answered!

I heard about the Christian Cultural Center, the largest church in New York City and one of the largest independent churches in the US, shortly after moving here in 1993. As I started to develop my own one-man plays it was on my heart to perform there some day.

I play an abolitionist in Henry Box Brown, a musical that tells the story of a slave who ships himself in a box from Richmond, Virginia, to Philadelphia and freedom in 1848. Though it's not one of my one-man plays, this musical is answering my prayer of two decades, because we'll be performing at CCC three times:
February 10, 8 AM and 10:30 AM
20-minute version
Directions at www.CCCInfo.org, where you can live-stream the 10:30 AM Eastern service.

February 15, 10-1pm
Full musical
Click here to register (first come first registered)
Hope you can see this miraculous production live or online!

You can see my Facebook Live announcement by clicking here.

Since recording that registrations were opened for the performance on February 15, and you can find all the details on this page, which you can find at www.RichDrama.com/HenryBoxBrown.


Another reason I'm excited to be a part of Henry Box Brown is that I've been performing my own one-man play about an abolitionist since 1995. A Clear Leading tells the story of John Woolman, a Quaker who spoke against slavery a century before our Civil War.

Sunday, January 28, 2018

Rocky Mountain Christian Filmmakers Camp Deadline Extended

Rachel Marley (left) and McKenzie Harris experienced another blessing from their association with the Rocky Mountain Christian Filmmakers Camp.  They just performed in a God-honoring professional audio drama for Lamplighter Theatre that they learned about because they had been students at the Rocky Mountain Christian Filmmakers Camp.

Our camp is more than a fully immersive training experience. It begins before students arrive on campus with online tutorials we've put together, so that once they arrive we can immediately jump into production on a short film. All four years that I've taught at Film Camp I've been able to coach our students for an audition for a live film project. Several of our students have landed roles or been hired on crew because of that process. 

But the benefits of Film Camp extend beyond our week together. Whenever I hear about film, stage and radio projects that are planning to honor the Lord I send out casting notices to all of our acting camp alumni.

 If you or someone you know is interested in acting now is the best time to register for the Rocky Mountain Christian Filmmakers Camp.

 Due to some logistics issues we were not able to get the word out in a timely manner about our early bird special to some of our potential acting camp students. In order to be fair with all who are interested in attending either the acting or filmmaking camps we have decided to extend the $150 early bird discount until the end of the month.

The registration website has already been updated to the full price since the early bird discount expired on January 15th. However, we have created a special discount coupon code that you can use to get the same discount. Here’s how it works. Register for either the 2018 Rocky Mountain Christian Acting camp or the Filmmakers camp from our regular camp registration page and enter the following coupon code on the payment screen to receive the discount.
Coupon Code: EB2018 Acting Camp Registration SiteFilmmaking Camp Registration Site
The discount coupon is only good through January 31st and only while we still have space available. Once the camp is full registration will be closed so register now to assure your spot and to take advantage of this extended discount.

 If you choose the 3 payment option the $150 discount will be applied to your initial payment. So the first payment will only be $150, the second and third payments will be $300 each.

 Hope to see you in the Rockies!


Join us for the 2018 Rocky Mountain Christian Filmmakers Camp.

Monday, January 15, 2018

Rocky Mountain Christian Filmmakers Camp Early Bird Deadline and Post-Camp Production

With three of our alumni,
  Joyce Swingle,
  Gwendelynn Martindale, and
  Morgan Willer.
Today is the deadline for the early bird special ($150 savings) at the Rocky Mountain Christian Filmmakers Camp, where I've been teaching film acting and coaching students in our short films since 2014. There is a three-payment plan you can use to spread out the payments while still getting the discount: www.ChristianFilmmakersCamp.com.

 I just got to perform the lead role and coach the other actors (including one of our alumna, Rebekah Stought) in "There" a short film by two of our alumni, William and Morgan Willer. In all we had six alumni from our program involved in the production, and the Willers managed to pull together over a dozen professionals in all!

Two other alumni, Rebekah Stought 
and William Willer.
Before we left they showed us a rough cut, and it's going to look extraordinary! I'm so proud of the Willers and our amazing team! 

While we were on set, one of the six alumni of the Rocky Mountain Christian Filmmakers Camp, McKenzie Harris, was cast as the lead in Lamplighter Theatre's next production! We also know Rachel Marley, was cast as the friend of the lead. Rachel has been my student several times at two different performing arts training intensives, and she was on our performance team in Sochi during the 2014 Olympics.

Rebekah Stought performed with me in the last two Lamplighter Theatre productions.

McKenzie Harris Photo by Ivy Schexnayder
I'll be teaching and directing at the Lamplighter Guild this summer, and their early bird discount (also a savings of $150) deadline will be at the end of January. You can hear my interview with Mark Hamby, the executive director of Lamplighter Ministries here. Click this link, to play it.
 
I was happy to volunteer my time to the Willer's project, but they agreed to let me perform my one-man play Views of the Manger in their barn on Epiphany, and offer an acting workshop after we wrapped the film. After Views of the Manger we gathered to praise the Lord for what He accomplished through the piece, and a five-year-old prayed the most beautiful prayers! I asked if I could interview her about the play, and here's what she had to say. Click this link, to play it.


If you want to know more about starting a relationship with Jesus Christ visit www.WestchesterChapel.org/Salvation.


Remember, registration is now open for the 2018 Lamplighter Guild and Rocky Mountain Christian Filmmakers Camp.


Tuesday, December 26, 2017

A Blessed Christmas to ALL!


I was so blessed by Dr. David Andersen's talk at the Mastermedia Christmas party this year. He started by pointing out that the phrase "getting saved" is no longer in fashion. He thinks people don't like to think of themselves as needing to be saved, but he told how he wandered past some bullies and was beaten up when he was in grade school, and how grateful he was when some men in a restaurant across the street saw it happening and rescued him. He exclaimed, "It's GREAT to be saved!"

Then he pointed out that Jesus Christ came into the world to be our Savior, and Dr. Andersen asked us what He came to save us from? Dr. Andersen pointed out that Jesus must have come to save us all from a universal condition, so He didn't come to save us from poverty, because many in the world are wealthy. He didn't come to save us from purposelessness, because many have direction in life.

 Then Dr. Andersen pointed out that Romans 3:23 shows us that "all have sinned and fall short of the glory of God," and Romans 6:23 shows us the sentence: "For the wages of sin is death..." In at least ten passages of Scripture we see it's not just a one-time death, but eternal punishment.

John 3:16 says, "For God so loved the world, that he gave his only Son, that whoever believes in him should not perish but have eternal life." As the angel said at his birth (Luke 2:10) that is Good News! 

We've been so blessed to share this Good News through many projects in many places this year. Here are some highlights:
• On Epiphany (January 6) in NYC Rich performed Views of the Manger and we reported on our trip to Cuba.
• Rich did voices for four audio dramas: The Giant Killer, Tales of the Kingdom, Tales of the Resistance (all available now) and Escape from the Eagle's Nest (available for pre-order).
• We released one of my one-man plays online for the first time: www.RichDrama.com/BtC.
• Rich did numerous interviews about that.
• Rich performed in several films: "Living Word," The Farmer and the Belle, "All God's Children," and next week "RoboDad."
• Several films in which at least one of us performed were released: "Living Word," "A Matter of Perspective," "One Day," Courageous Love, and two episodes of The King's Messengers.
• Rich won Best Actor in a Short Film at the International Christian Film Festival for his performance in "A Matter of Perspective."
• We made our first short film: "Colonel Papa Cubano."
• Joyce made her film directorial debut ("Milk and Oranges") which Rich wrote.
• Joyce wrote a screenplay, to be announced soon!
• Joyce launched social media pages on Facebook and Instagram.
Though we taught and/or performed in 13 states and more than circled the globe (at least 28,000 miles of travel) this is the first year in our soon to be 20-year-marriage that I (Rich) haven't been able to perform or teach outside of the country. We've felt like that has been an important part of our ministry because of the Great Commission. So we decided to reach the world by giving a free screener of Beyond the Chariots to the first person of each nation -- outside of the US -- who posts the nation where they live at www.RichDrama.com/EveryNation. And... go!

Have a blessed Christmas, EVERYONE!

Here's Joyce's Christmas message from the start of Advent on December 3. Click the image below, or if you received this in an email, go to www.RichDrama.com/Christmas2017.



Enjoy this Christmas story from another angle, produced by Owen Hisle, who was a film student at the Rocky Mountain Christian Filmmakers Camp after he produced this. "Fulfillment" also stars Zack Lawrence, who directed me in the film In His Steps, and was a founding faculty member of the Rocky Mountain Christian Filmmakers Camp.

Click the image below, or if you received this in an email, go to www.RichDrama.com/Christmas2017.

 

See the rest of Olympic champion Eric Liddell's Chariots of Fire story in Beyond the Chariots. Watch it online and book a live performance.

Sign up for the announcement that registration is open for the 2018 Rocky Mountain Christian Filmmakers Camp.

Sunday, November 5, 2017

Beyond the Chariots featured on ChristianCinema.com Facebook page

ChristianCinema.com is featuring my one-man play Beyond the Chariots on their Facebook page today! We'd be ever so grateful if you'd give it a Like and a share! The more likes and shares the more of their core base will see it in their news feed. This is our greatest opportunity to reach the maximum audience. Click here.

 Bless you!

See the rest of Olympic champion Eric Liddell's Chariots of Fire story by arranging for a public license or by booking a live performance of Beyond the Chariots.

Thursday, November 2, 2017

My one-man play is released online today

Click for trailer of Beyond the Chariots at the Singapore Expo.
I've been performing one-man plays since 1991, but this is the first time I've released one to the general public.

This performance of Beyond the Chariots was filmed live at the Singapore Expo on the heels of the Youth Olympics.

The four-time Academy Award-winning film Chariots Of Fire tells how Eric Liddell refused to run the 100 meters in the 1924 Paris Olympics because a qualifying heat was held on a Sunday. Instead he ran the 400 meters, a race in which he wasn't expected to place. He finished it five meters ahead of the favorite, winning the gold and breaking the world record.

My one-man play, Beyond the Chariots, picks up where the film left off: Leaving fame and fortune behind, Eric runs his greatest race, as a missionary to war-torn China.

You can watch it right now: www.RichDrama.com/BtC.

Then compare the story to the new film, which opens in select theaters and on pay-per-view on November 3.

On Wings of Eagles shows Eric Liddell's days in a Japanese internment camp during WWII. I'll be speaking after two of the New York City screenings, on November 3 and 4, both at 11am. So if you're in NYC, we hope you can make it. If you know someone in the area, please forward this information.

For details on the screenings and my review of the new film visit www.RichDrama.com/Wings.

For licensing of group screenings or to book a live performance of Beyond the Chariots visit www.RichDrama.com/Booking.

Saturday, October 21, 2017

On Wings of Eagles

A new film about Eric Liddell is being released on November 3 in select theaters and online simultaneously. I'll be fielding questions after two of the screenings in NYC.

This is an answer to a prayer I've been praying since 1981 when Chariots of Fire won four Academy Awards. I wanted to know more about what the supertitles ending Chariots of Fire hinted at: “Eric Liddell, missionary, died in occupied China at the end of World War II. All of Scotland mourned.”

In the year 2000 I started researching for Beyond the Chariots, my one-man play that tells the rest of the Chariots of Fire story from the perspective of Eric Liddell. We're planning to release a recording of my performance of the play at the Singapore Expo soon. Sign up to get the announcement. Since I first started my research at the Eric Liddell Centre in Edinburgh I've tracked no less than seven attempts (including one of my own) to tell more of Eric Liddell's story on the big screen, so I'm overjoyed that this one finally made it across the finish line... but being so tied to the story, I feel let down on certain fronts.

Before I get to that, there is plenty to love about On Wings of Eagles. I'll tried to keep the spoilers to a minimum, but there are a few things I just have to mention....

Joseph Fiennes portrays Eric Liddell
coaching his track team from the
Tientsin Anglo-Chinese College.
Xu Niu is far left.
Though I did submit for the role, I'm completely thrilled with Joseph Fiennes' portrayal of one of my lifelong heroes. He captured the good natured charm and indefatigable joy I've picked up in the biographies and interviews with about a dozen people who remember Liddell.

On Wings of Eagles is a total reworking of a film entitled The Last Race, which was released in Hong Kong and China last year. Producers Jim Green and Mark Bacino told me they took the raw footage and have reworked the storyline and introduced a narrator, the older voice of Xu Niu (played by Shawn Dou on screen and voiced by the older Bruce Locke). Though I haven't seen The Last Race, from descriptions I've heard I believe this is a much better film for Western audiences.

After my performance in Hong Kong
on 08/08/08, the opening day of the
Beijing Olympics with Leone and
Jim "Jamey" Hudson Taylor, III,
Chuck Allison, Steve Wible, and
H. K. Cheng.
Xu Niu is, from what I can tell, a fictionalized runner on Liddell's track team at the Tientsin Anglo-Chinese College. He follows Liddell throughout the story. In my play I also have a fictional student of Liddell's in a pivotal role. I call him Mai Ker. An actual former student of Liddell, H. K. Cheng, saw a couple of my performances of the play in Hong Kong, and after one of those performances he was kind enough to do an interview, which we hope to release soon. I asked him if the fictional Mai Ker was similar to any of Liddell's actual students. He immediately thought of a classmate!

As a young runner I was inspired by Eric Liddell the athlete. As a Christian I loved how Chariots of Fire showed Liddell refusing to run on a Sunday in the 100m, where he might have proven that he was the fastest man alive. Instead he trained for the 400m and broke the world record at that distance.

One of the things I love most about On Wings of Eagles is that it shows Liddell turning away from fame and fortune that was promised after his Olympic success to minister to the people who nearly killed his family shortly after his birth during the Boxer Rebellion. Jacob Shams in his otherwise excellent review of the new film gets one thing wrong. He says, "...after his racing days were over, Liddell returned to the home of his birth, China..." Liddell's racing days were far from over! He broke the world record at the Paris Olympics when he was 22, and he left for China the very next year. I'll post more on Liddell's athletic accomplishments in China later, but the short version is that during a meet in China hosted by Japan for the Emperor's coronation, Liddell tied some of the winning times set in the 1928 Olympics earlier that year.

Liddell (Fiennes) races against
Chen Quan (Simon Twu).
Though the new film never shows Liddell running in his prime, there are two races, and in both Fiennes does a great job of showing him run beyond what his meager rations should allow. At one point we see him sharing his rations with children, which is a beautiful picture of who he was. At another point eggshells are being ground, and, indeed, they would add shells to meals to get every bit of protein they could. Doctors in the camp told Liddell they weren't eating enough for the youth to take place in athletics, but Liddell said without their bodies engaged, their souls would wither.

Fiennes portrays Liddell as a science
teacher at the
Tientsin Anglo-Chinese College.
The new film is shot in China, in Tianjin (spelled Tientsin when the story takes place), where Liddell taught science (not English as Shams says in his review), and in Weifang (spelled Weihsien when the story takes place), in the actual compound where Eric Liddell and his fellow Allied prisoners spent the end of World War II. There are a couple of scenes summarizing Liddell's life as a teacher and missionary before it cuts to him on board a ship with his family before it disembarks, carrying his wife Flo and daughters Patricia and Heather to their family home in Toronto. Flo (Elizabeth Arends, who made no attempt at a Canadian accent) was also pregnant with Maureen, now Maureen Moore. After seeing one of my performances of Beyond the Chariots, she described that first trip as being in a cab with the windows rolled up. I was blessed to see the photo of Maureen as a baby take such a prominent place in the storyline, as Liddell was separated from his family during his final years.

The farewell on the ship is a scene that may have been inspired by the Prologue in my favorite biography on Liddell, Pure Gold, by David McCasland, who saw my play and set up a tour of Tianjin for us. I'll post more on that later. In both the biography and the movie, it is quite a moving scene.

It's not long (in the film and in reality) before Pearl Harbor is bombed and citizens of all Allied nations are put into internment camps. I performed my play for Jim "Jamey" Hudson Taylor III, the great grandson of the prominent missionary to China. I'll post more on that later.  Jamey, his three siblings and his grandfather were in the internment camp with "Uncle Eric," as all the students called him. After two of the three performances of my play Jamey saw in Hong Kong, he described how Uncle Eric was a father figure to so many children who were separated from their families. The new film captures this, in part with a sign Jamey Taylor mentioned to me. There were so many visits to Uncle Eric's flat that his roommate put up a sign indicating "Uncle Eric is IN" or "Uncle Eric is OUT."

Yoshinori Yumoto
(Shigeo Kobayashi)
There's a moment in the film that a Japanese officer, Yoshinori Yumoto (played by Shigeo Kobayashi), interrupts a wedding ceremony that Uncle Eric is conducting. He takes the wedding rings from the couple. Though it's a fictional element of the story, it reminded me of how Jamey told me the Japanese put labels on people and things that read, "Property of the Japanese."

The couple is separated when they're brought into the internment camp, but the new groom insists on married housing. Yoshinori Yumoto asks for proof that they are married, but of course he's taken their rings. Uncle Eric says, "What God has joined together let no man put asunder." Yoshinori Yumoto tells him, "My emperor is the god here." That much is in the trailer you can see below. It's Uncle Eric's response that is one of my favorite moments in the film on a number of different levels. I'm planning to talk about that after the NYC screenings.

From Stephen Metcalf's interview in
Olympic Hero in China.
I love that there is an allusion in the new film to praying for their captors. Uncle Eric taught often on the Sermon on the Mount, and dedicates the better part of a chapter to it in his book The Disciplines of the Christian Life. In Olympic Hero in China, the documentary I helped create and for which I do the English narration, Stephen Metcalf, who was a young runner in the internment camp, said that one day Uncle Eric was teaching them the passage from the Sermon on the Mount that says, "Love your enemies and pray for those who persecute you...." Metcalf said that Uncle Eric said, "'Prayer changes the whole situation. When you hate somebody, you're self-centered. When you pray for someone you become God-centered.' And so he said, 'I've been getting up early and praying for the Japanese.' And he challenged us to pray for the Japanese." Metcalf took up the challenge, and after carrying Uncle Eric's coffin to the grave he said, "I promised God that if I came out alive, I would go to Japan as a missionary like Eric." Metcalf served as a missionary to Japan for 40 years. 

The Music Department of On Wings of Eagles had a high bar set for them since Vangelis won the Oscar for his soundtrack to Chariots of Fire. My brother and I listened to the record the night before every cross-country and track meet. The new film's orchestrator, Steve Greer, arranged for a live orchestra in Macedonia to perform the music, and I think they did a wonderful job. There were two songs in particular that brought joy to my heart.

From Maureen Liddell Moore's
interview in
Olympic Hero in China.
The first was "The Ninety and Nine." In Olympic Hero in China, Maureen tells the story beautifully of how, as a young boy, her father would always ask to sing that hymn about the story Jesus told of the shepherd leaving the 99 sheep to go after the one who is lost. Young Eric would always cry when the family sang it. Maureen said, "...it helped me to understand that even as a young child my father had a strong, strong desire to reach out and touch people with the message that they were all loved and they would all be safe and they could all come home."

The second song that moved me was "Be Still My Soul." It was Uncle Eric's favorite hymn, and the new film introduces it early and it has a prominent place in the end.

This brings me to my disappointments with the film. Whenever a story is taken out of history and told as a movie there must be choices to fictionalize certain elements in order to make it work in the format of cinema. Sometimes those choices upset those who know the real story well. After a performance of Beyond the Chariots in Milwaukee, an audience member Lucy Storch gave me two letters she received from Uncle Eric's sister, Jenny Somerville. She said, "The girl playing myself (Cheryl Campbell) was nothing like me! I was never against my brother running....The scriptwriter (Colin Welland, who won the Oscar for it) said you need a conflict in a film, so I was the conflict!"

With the eldest Liddell daughters and
their husbands after one of my
performances in Toronto.
Though the use of "Be Still My Soul" at the end of On Wings of Eagles has its own artistic beauty, I missed the beauty of what actually happened. Uncle Eric's middle daughter, Heather Ingham, told me the family still has the slip of paper upon which her father wrote down the hymn's title while he lay dying in the internment camp's makeshift hospital. That slip of paper was delivered to someone in the Salvation Army band (alluded to in the film by a trumpet we see lying around in one scene). Prisoners were allowed to bring a few personal items into the camp, and band members had each brought their instrument. They played that hymn outside Uncle Eric's window on at least one of his final days. I'll post more about the Salvation Army band later.

At a certain point in the new film, Xu Niu's subtitles indicate that he used the word hell as an expletive. I was sorry to see this because hell is a real place, and no matter how the cultural narrative downplays it, it is not temporary or benign. There is nothing in Scripture that indicates it is a lukewarm lake of fire. Though the use of the word was used to give shape to Xu Niu's character arc, I think it's a shame that the word was used in a film that should attract impressionable youths.

Early on in the film we see Uncle Eric looking the other way when a bribe being given. Even if such a moment occurred, with only 90 minutes to flesh out his life, I think it was a very poor choice to show him benefiting from an illegal act without speaking against it.

In another moment Uncle Eric is forced to run on a Sunday. It is true that he eventually decided to referee games on Sundays in the internment camp because, without his presence, fights were breaking out. But to hear the challenge without fleshing out the mental anguish that would have gone into such a choice is wrong. I hope audiences reflect on the fact that the stakes were much higher than the personal glory Uncle Eric walked away from at the Paris Olympics.

Liddell (Fiennes) in the church of the
internment camp, which was
originally a seminary.
My biggest problem with the film is a single sentence. Xu Niu describes "Uncle Eric's message: His faith in the essential goodness of mankind touched the edge of my mortal soul." After spending the entire film showing, often in very creative ways, that every good work Eric Liddell did was through the inspiration and by the power of his faith in the Lord Jesus Christ, this sentence reverses and undermines it all! As a Christian Uncle Eric most certainly did not have faith in the essential goodness of mankind. He believed, as all orthodox Christians do, in the fallen nature of mankind and our need for a Savior.

At the moment that Xu Niu says, "Uncle Eric's message..." we're seeing a tight shot of the Cross. It is my prayer that viewers see the statement in the full Truth of that image: Uncle's Eric had faith that through the Cross we all have hope of goodness. As 1 Peter 2:24 says, "He (Jesus Christ) himself bore our sins in his body on the tree (the Cross), that we might die to sin and live to righteousness. By his wounds you have been healed."

If people miss that, I pray they'll see the statement about Uncle Eric's message as an observation by someone on his way to seeing his need for a Savior.

If you see your need for a Savior, you can reach out right now to the only One who bridges the gap between fallen humans and a Holy God: Jesus Christ. Visit www.RichDrama.com/MyPassion for more information.

I'll speak and take questions after two NYC screenings of On Wings of Eagles on November 3 and 4 at Cinema Village, 22 E. 12th St., Manhattan. We're planning to record the Q/A session, so if you're outside the NYC area, post your questions in a comment below, and if there's time I'll answer questions that are posted here.

Here's the complete list of theaters showing it, starting November 3:

1. Kansas City, MO; Barrywoods 24

2. Atlanta, GA; Southlake Pavilion 24

3. Cleveland/Akron/Canton/Solon, OH; Solon 16

4. Philadelphia, PA; Cherry Hill 24

5. Denver, CO; Highlands Ranch 24

6. Houston, TX; Gulf Point 30

7. Dallas, TX; Mesquite 30

8. San Francisco, CA; Deer Valley Stadium 16

9. Pasadena, CA; Laemmle Pasadena 7

10. Manhattan, NY: Cinema Village

Viewers should know:
* The word hell is used as an expletive.
* War violence.
  -A young boy is blown up.
  -[SPOILER ALERT] Another young boy is electrocuted and it is said that he will stay on the hot wires for a week. A real electrocution in the camp probably inspired this fictional element.

See the trailer below, or if you're reading this in an email visit www.RichDrama.com/OnWingsOfEagles.




 See the rest of Olympic champion Eric Liddell's Chariots of Fire story by booking Beyond the Chariots.